Romancham Ending Explained

It is uncommon to come across a well-executed horror comedy, particularly within the Malayalam cinema industry. Seldom do we have the opportunity to witness a film that not only delivers comedy but also incorporates elements of satire, spirituality, and the exploration of supernatural phenomena. Are these aspects even real or mere figments of our imagination? "Romancham," written and directed by Jithu Madhavan, delves into the intriguing narrative based on a true story of seven bachelors attempting to establish their lives in Bangalore in 2007. Amidst the tumultuous events unfolding in their lives, the group decides to embark on a séance. However, does this seemingly playful séance take a terrifying turn, or is it merely a product of their own imaginations?

Those Bachelors being themselves

"Romancham" commences with Jibin Madhavan awakening in the ICU of a hospital in Bangalore, where he learns of his week-long battle with meningitis. This marks his first return to consciousness, but due to his condition, he is informed that no visitors are allowed. Despite this, Jibin persistently requests to see his friends or be transferred to another room. However, the doctor asserts that until his vision improves, he will remain in the ICU. Jibin's determination to meet his friends stems from a pressing need to convey something of great importance to them. In an attempt to deceive the attending nurse and secure a room transfer, Jibin's restlessness becomes apparent. Nevertheless, the nurse remains steadfast and immune to his ploy. As Jibin's desperation intensifies, the nurse becomes intrigued, yearning to uncover the true reason behind his urgency. It is at this moment that Jibin recounts his recent encounters with the inexplicable, the unseen occurrences that have consumed his past few weeks.

Seven of them live on the outskirts of town, attempting to make a living. The residents of the house are Shijappan, Rivin, Niroop, Jibin,Soman Mukesh and Karikuttan, who are attempting to make their lives manageable. Only Rivin and Karikuttan have at all times jobs; the rest are just scraping by, while Niroop is awaiting a letter of appointment from a technology company, which he hopes will change his life for the better. They've all remained friends for a few years and have managed to live their lives in the most humble way possible. The men, being men, do not live in the most pristine conditions, which irritates Niroop, who decides to delegate every responsibility to someone in the home so that no one person is burdened with doing everything. The rest of the gang does not agree with this division and dissemination of tasks, but they are coerced into doing so if they want to stay in this house. Niroop is sick of being a dad in the house, pestering and correcting such grown-up men to do simple things around the house. The majority of the men live recklessly; only Niroop makes decisions, and Rivin is financially accountable.

Séance Activity

In their quiet neighborhood, the boys have established a routine of playing handball during their evening gatherings. However, Jibin finds himself excluded from this activity due to his unfamiliarity with the game. Frustrated, he resorts to an unconventional act of deflating the ball, leading him on an unexpected journey. This narrative explores Jibin's quest for inclusion, validation, and his introduction of a new and exciting evening activity.

Feeling left out and resentful of his inability to participate in handball, Jibin succumbs to frustration and deliberately deflates the ball. This impulsive act sets in motion a chain of events that takes him away from the traditional game and towards a unique experience.

By chance, Jibin finds himself at a friend's place where a group is engrossed in a séance, utilizing an Ouija board to communicate with the spiritual realm. Intrigued by this alternative form of connection, Jibin recognizes the potential for it to become an engaging group activity. Driven by his desire to feel included and contribute to the group's shared experiences, he decides to introduce a new twist to their regular evenings.

Inspired by the séance he stumbled upon, Jibin seizes the opportunity to contribute to the group's recreational endeavors. He brings a carrom board, transforming their regular evening into an atmosphere suitable for a séance. With the intention of fostering inclusivity and sharing the joy of exploration, Jibin's idea is met with enthusiasm by his friends.

Jibin's motivation to introduce the séance activity stems from his desire for validation and a sense of contribution within the group. By suggesting an unconventional and thought-provoking experience, he hopes to be recognized as someone who can enrich their shared leisure time.

'Romancham' Ending no Explained

In Rivin's room at home, the men store away all religious symbols following a rule that states these symbols would restrict any spirits from answering their questions during a séance. The boys take this activity seriously, except for Jibin, who only organizes it out of boredom and a desire to feel included. Jibin realizes that no spirits are responding by moving the glass on the board, so he and his roommate, Shijappan, start manipulating the glass themselves to make others believe the séance is successful. Jibin craves a sense of importance within the group, even though Niroop is the sole decision-maker in the house.

During the séance, they begin asking questions, and Jibin and Shijappan introduce the name "Anamika," leading others to believe that a female spirit is present. Anamika starts providing correct answers, which only Jibin and Shijappan are aware of. This adds to their popularity among friends. On one occasion, their friends inquire about a pet cat, and Anamika miraculously provides the correct response. Jibin and Shijappan become concerned and wonder if a real spirit has indeed entered their home. It appears that Anamika has made their place her home and has not left since the séance ended. Jibin becomes anxious about the situation getting out of control, but their popularity continues to grow, attracting people from all over the city who seek answers from Anamika. A knowledgeable friend warns them about not asking personal questions to the spirit and avoiding summoning the same spirit repeatedly. However, Jibin disregards these rules, as he is content with the increasing crowds gathering at his place.

Unfortunately, their previous experiences with Anamika take a sinister turn when she predicts the death of a person named Mathew. Worried, they check on their friend Matthew, who fortunately remains unharmed. However, their neighbor's father, also named Matthew, tragically passes away, leaving the boys questioning the consequences of their game. Even Rivin, the group's skeptic, admits to experiencing blackouts and a sense of disorientation on his way home from work. Strange occurrences begin to unfold at their home since they initiated the séance activities.

In an attempt to address the situation, they seek the help of their knowledgeable friend. However, things take a turn for the worse, leading Niroop, the decision-maker of the group, to decide that enough is enough. They are tired of the negative impact the Ouija board has had on their lives, including the constant fighting among themselves and the adverse effects on Rivin's mental state. They unanimously agree to put an end to this nuisance once and for all by disposing of the board, hoping to eliminate the strange and unpleasant occurrences that have been plaguing them.

However, with the Ouija board out of the picture, a new challenge arises. Jibin's friend Sinu Solomon comes to stay with them, seeking refuge due to an unexplained episode he experienced. Despite their initial intention to provide him with a change of scenery, Sinu begins to exhibit peculiar behaviors. He stares at walls, engages in conversations with unseen entities during the night, and even sleepwalks. As Jibin and his friends observe these strange actions, they decide to keep their distance from Sinu. The situation escalates when Sinu leads Jibin and Niroop to the exact spot where Anamika used to reside.

This incident convinces the group that Sinu's presence is somehow connected to the malevolent spirit. Even Niroop, who was previously skeptical, agrees that something is amiss and that Sinu must leave their home immediately. Jibin politely asks Sinu to depart, and he agrees without resistance.

However, once Sinu is gone, Anamika's spirit renews her havoc within their home. Unnatural and unexpected events occur once more. Rivin continues to struggle with memory loss and finding his way home, while Karikuttan makes a costly mistake at the petrol pump, causing him to lose his job. The occurrences take a toll on everyone's well-being, and they are convinced that the disturbances began after their involvement with the Ouija board. Overwhelmed, they decide to abandon their home as quickly as possible.

In the midst of the chaos, Jibin's worry and stress lead to an intense fever, eventually developing into meningitis. The men speculate whether their troubles stem from the Ouija board or if their house was haunted all along. Regardless of the cause, they cannot escape the feeling that Anamika's relentless presence refuses to relent.

Jibin was hospitalized due to his illness, but he started showing signs of recovery and was transferred to a room. During his time in the hospital, Jibin tells the nurse that before losing consciousness due to his high fever, he witnessed the spirit of a woman entering his bag. In the final scene of the movie "Romancham," Jibin asks his friends to retrieve the bag. To his surprise, he learns that Sinu has returned to town and will assist him in his recovery, offering to retrieve the bag for him. Given Jibin's fever-induced state, there is a possibility that he hallucinated the sighting of the spirit before becoming unconscious.

There is uncertainty regarding the existence of Anamika in their home, and even if she did exist, Sinu's presence may have neutralized her power. Throughout Sinu's stay, the men experienced few significant incidents, suggesting that Sinu's presence acted as a counterforce against Anamika's influence. However, the true nature of these incidents and Sinu's role will likely be explored in the sequel, providing the audience with an understanding of what led to the events at their home in Bangalore and the significance of Sinu's involvement.

In another theory, it is proposed that the series of unfortunate incidents that occurred could be attributed to psychological reactions and fear associated with the belief in a spirit descending upon their home. The mind can play tricks, and the men's experiences might be projections of their anxieties. Additionally, Sinu may be dealing with psychological issues stemming from a past kidnapping incident, which could explain his peculiar behavior. Consulting a psychological professional might shed light on the psychological explanations behind these events.

In conclusion, "Romancham" is a comedy film that introduces elements not commonly seen in the genre. The direction may have been a bit haphazard, but the story remains engaging until the end. The open-ended climax sets the stage for the sequel and builds anticipation. Led by Jithu Madhavan, a new team helmed the film, and the performances, particularly the comic timing of the actors, including Soubin Shahir and Arjun Ashokan, are commendable. The humor remains fresh and avoids becoming repetitive. "Romancham" has enjoyed success in theaters and is worth revisiting.